DIPTYCHS

This series explores the human body as a sculptural form within space.

Presented as a sequence of diptychs, each work juxtaposes black-and-white and color images of the same figure. This duality is not merely visual, but perceptual — a shift between reduction and presence. In black and white, the body is reduced to structure: a study of volume, line, and tension. In color, it returns to physicality and the immediacy of lived existence.

Across the series, the figure undergoes a subtle transformation — from withdrawal and stillness toward a gradual sense of release. This progression is not narrative in a literal sense, but experiential, unfolding through posture, light, and spatial relation.

The body is treated not as an object of representation, but as a field of form. Light becomes a sculpting force, defining volume while dissolving the boundaries between figure and space. What emerges is a quiet tension between presence and absence — a space where silence itself becomes active.